SEVENTEEN’s Mingyu Faces Backlash Over Alcohol Incident at Concert

A recent concert by the popular K-pop group SEVENTEEN has ignited a heated debate over concert etiquette and perceived favoritism towards Western fans. During a performance in Austin, Texas, on October 21, 2025, member Mingyu was seen taking a shot of alcohol after being approached by a fan holding a sign requesting the gesture. This action has drawn significant criticism from various quarters, raising questions about the safety and appropriateness of such behavior at public events.

Fans quickly took to social media to express their shock and disappointment. One user shared, “The shot Mingyu took was in our section; I was speechless when I saw him drink it.” The incident has sparked discussions about not only Mingyu’s actions but also the broader treatment of fans across different regions, particularly in Southeast Asia (SEA).

Concerns Over Regional Treatment and Safety

The backlash against Mingyu’s actions has intersected with allegations of inconsistent treatment towards fans in different countries. Fans from SEA have voiced concerns that they face stricter regulations and monitoring compared to their Western counterparts. They pointed to a fan etiquette notice issued by Pledis Entertainment on December 27, 2024, which outlined rules regarding fan behavior, including prohibiting gifts and stalking. This announcement followed previous events in Japan, leading many to believe the timing was specifically aimed at SEA fans.

Additionally, contrasting experiences at recent concerts have fueled the debate. While fans in the United States reported receiving hugs and gifts from the group, SEA fans felt restricted and overlooked. One fan remarked on social media that the group displays more affection towards Western fans, suggesting a bias that some perceive as rooted in racism. Another user stated, “It feels like they are chasing Western validation, and it comes across as low-key racist toward SEA fans.”

Mixed Reactions and Ongoing Discourse

In response to the backlash, some fans defended the group, citing instances where SEVENTEEN has engaged in similar fan service across different regions. They argued that SEVENTEEN has historically toured primarily in Korea and Japan, often neglecting other Western countries. This perspective highlights the complexity of the situation, as many fans believe the group does not show favoritism but is instead navigating a challenging global market.

Analysts note that the conversation surrounding SEVENTEEN’s treatment of fans is indicative of broader issues within the K-pop industry, where regional disparities often lead to misunderstandings and tensions among fanbases. The discussions emphasize the need for greater consistency in how artists interact with their fans, regardless of geographical location.

As SEVENTEEN continues their world tour, the reactions to Mingyu’s actions will likely continue to resonate within the fan community. The incident serves as a reminder of the challenges artists face in balancing personal interactions with the expectations of a diverse and global audience.