Brendan Fraser Reveals Epic Details of J.J. Abrams’ Canceled Superman Film

In a recent podcast appearance, actor Brendan Fraser shared intriguing insights about the long-shelved Superman film titled Superman: Flyby, originally developed by J.J. Abrams in 2002. Fraser, who had been offered the iconic role, described the screenplay as extraordinary, comparing it to Shakespeare’s works.

The film aimed to reimagine Superman’s origin story, extending its narrative on Krypton, where Jor-El struggled against his brother, Kata-Zor, during a civil war. Reports from various fan sources indicate that Jor-El would ultimately lose this conflict, leading to his imprisonment and tragic demise. Meanwhile, his infant son, Kal-El, is sent to Earth, ultimately adopted by the Kent family, akin to the original comic narrative.

Transformative Vision for Superman

Fraser recounted how the character of Lois Lane would differ significantly from traditional portrayals. Rather than the classic plucky reporter, she was envisioned as a character akin to Dana Scully from “The X-Files,” deeply invested in uncovering truths about UFOs. Notably, the screenplay suggested that Clark Kent would reveal his super identity to the world, a departure from the usual secrecy surrounding the character.

The film also featured a cadre of Kryptonian villains, including Kata-Zor and his son, Ty-Zor, with a climactic scene where Superman faced death at their hands. After a conversation with his father in the afterlife, he would be resurrected just in time to thwart the villains’ plans. Such dramatic elements hinted at a grand scale typical of superhero blockbusters.

Fraser expressed admiration for the screenplay, describing it as “Shakespeare in space.” He recalled the secrecy surrounding the project, noting that he had to sign a non-disclosure agreement and read the script in a locked office. He even tried on Superman suits but mentioned that no pictures were taken due to the project’s confidentiality.

Career Decisions and Lost Opportunities

Despite the excitement, Fraser harbored reservations about accepting the role. He reflected on the potential impact of becoming synonymous with Superman, acknowledging that it could define his career trajectory. “If I do get this job, then Superman’s gonna be chipped on my gravestone,” he said, indicating his desire to retain flexibility in his career choices.

Fraser’s journey was not solitary; he was among several high-profile actors considered for the role. Notably, Matt Bomer auditioned, while Ashton Kutcher and Paul Walker were offered the part. Kutcher declined due to commitments to “That ’70s Show.” Others like Jerry O’Connell expressed interest, and David Boreanaz auditioned but faced scheduling conflicts.

Initially, director Brett Ratner was attached to the project, seeking actors like Jude Law for other roles and even proposing a lucrative $100 million deal to Josh Hartnett for a three-film commitment. Ratner’s departure due to creative disagreements with producer Jon Peters led to the project changing hands multiple times, ultimately falling to Bryan Singer, who reworked it into Superman Returns.

The saga of Superman: Flyby reflects the complexities of Hollywood filmmaking, where creative visions can shift dramatically. Despite the eventual release of Superman Returns in 2006, many fans continue to wonder what could have been if Abrams’ ambitious project had come to fruition.